Archive for window

Christmas To A Child

Posted in Mobilis in Mobile with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 28, 2013 by designldg

P1140689

“There’s nothing sadder in this world than to awake Christmas morning and not be a child.”
(From “I Lost Everything in the Post-Natal Depression” by Erma Bombeck)

The windows of Fortnum & Mason in London are already celebrating Christmas…
And I feel like being a child again in front of all this…

Join the photographer at
www.facebook.com/laurent.goldstein.photography

© All photographs are copyrighted and all rights reserved.
Please do not use any photographs without permission (even for private use).
The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.

Advertisements

Claustrophobic: The Fear of Santa Claus

Posted in Mobilis in Mobile with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 28, 2013 by designldg

P1140666

“HO HO HO…There is no reason to be claustrophobic…Don’t be afraid of Santa Claus…HO HO HO” 

I saw Santa as he crossed the window of Fortnum & Mason in London and I had the time to click this picture…

Merry Christmas, शुभ क्रिसमस (śubh krisamas), Joyeux Noël, Buon Natale, Feliz Navidad, Krismas Mubarak,…To everyone…!!!

Join the photographer atwww.facebook.com/laurent.goldstein.photography

© All photographs are copyrighted and all rights reserved.
Please do not use any photographs without permission (even for private use).
The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.

From Boredom To Fascination

Posted in Timeless Black & White with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 2, 2013 by designldg

P1350262

“The Chinese have a theory that you pass through boredom into fascination and I think it’s true.
I would never choose a subject for what it means to me or what I think about it.
You’ve just got to choose a subject – and what you feel about it, what it means, begins to unfold if you just plain choose a subject and do it enough.”
(Diane Arbus – American photographer and writer, 1923–1971)

This picture was shot at Assi ghat along the Ganges in Varanasi (Benaras).
It was during the morning when things were quiet in a state of sluggishness.
I was straining the lense for the faintest stir when thinking in black and white allowed to pass through boredom into fascination…

Join the photographer at www.facebook.com/laurent.goldstein.photography

© All photographs are copyrighted and all rights reserved.
Please do not use any photographs without permission (even for private use).
The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.

From the Soul of Souls

Posted in Timeless Black & White with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 11, 2013 by designldg

P1540049

 

© All photographs are copyrighted and all rights reserved. 
Please do not use any photographs without permission (even for private use).
The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.

“What can I do, Muslims? I do not know myself.
I am neither Christian nor Jew, neither Magian nor Muslim,
I am not from east or west, not from land or sea,
not from the shafts of nature nor from the spheres of the firmament,
not of the earth, not of water, not of air, not of fire.
I am not from the highest heaven, not from this world,
not from existence, not from being.
I am not from India, not from China, not from Bulgar, not from Saqsin,
not from the realm of the two Iraqs, not from the land of Khurasan.
I am not from the world, not from beyond,
not from heaven and not from hell.
I am not from Adam, not from Eve, not from paradise and not from Ridwan.
My place is placeless, my trace is traceless,
no body, no soul, I am from the soul of souls.
I have chased out duality, lived the two worlds as one.
One I seek, one I know, one I see, one I call.
He is the first, he is the last, he is the outer, he is the inner.
Beyond He and He is I know no other.
I am drunk from the cup of love, the two worlds have escaped me.
I have no concern but carouse and rapture.
If one day in my life I spend a moment without you
from that hour and that time I would repent my life.
If one day I am given a moment in solitude with you
I will trample the two worlds underfoot and dance forever.
O Sun of Tabriz, I am so tipsy here in this world,
I have no tale to tell but tipsiness and rapture.”
(Jalal ad-Dīn Muhammad Rumi – Persian poet, jurist, theologian, and Sufi mystic, 1207–1273)

This was shot before sunset at the tomb of Mohammad Ghaus in Gwalior in the central Indian state of Madhya Pradesh.
The light and shadows were playing through the jalis (latticed screen) in the galleries surrounding the Sufi saint mazaar (tomb).
The building, built in the late 16th century in the typical Mughal style, is enclosed on all sides by delicately carved lattices over which rises a large dome.
This place is a pilgrimage centre for both the Hindus and the Muslims and make this place of devotion is a symbol of brotherhood as this is where anyone can express his faith.

Join the photographer at www.facebook.com/laurent.goldstein.photography

A Lightning Instant

Posted in Timeless Black & White with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 13, 2012 by designldg

© All photographs are copyrighted and all rights reserved.
Please do not use any photographs without permission (even for private use).
The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.

“The creative act lasts but a brief moment, a lightning instant of give-and-take, just long enough for you to level the camera and to trap the fleeting prey in your little box.”
(Henri Cartier-Bresson – French photographe, 1908–2004)

Lucknow, the mythical city of Nawabs, allows to travel in time.
I always enjoy to spend time in the Bara Imambara (or Asafi Imambara) complex for a sensory memory journey…

Join the photographer at www.facebook.com/laurent.goldstein.photography

The Beauty of the Morning

Posted in Timeless Black & White with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 13, 2012 by designldg

© All photographs are copyrighted and all rights reserved.
Please do not use any photographs without permission (even for private use).
The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.

“Earth hath not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendor, valley, rock, or hill;
Ne’er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! The very houses seem asleep;
And all that mighty heart is lying still!”
(“Composed upon Westminster Bridge, September 3, 1802” by William Wordsworth, 1770-1850)

This view of Gwalior was shot from a window of the Karna Mahal, the palace next to Man Singh Palace, which stands on an isolated rock overlooking the city in Indian state of Madhya Pradesh.

Join the photographer at www.facebook.com/laurent.goldstein.photography

Surfaces, Lines and Values

Posted in Timeless Black & White with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 13, 2012 by designldg

© All photographs are copyrighted and all rights reserved.
Please do not use any photographs without permission (even for private use).
The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.

“This recognition, in real life, of a rhythm of surfaces, lines, and values is for me the essence of photography; composition should be a constant of preoccupation, being a simultaneous coalition – an organic coordination of visual elements. “
(Henri Cartier-Bresson – French photographe, 1908–2004)

This is the entrance of the Bara Imambara (also called the Asafi Imambara) complex in Lucknow, the mythical city of Nawabs.
It was shot from a window in the corridor which is on the level of the ceiling of the domed chamber leading to the Bhulbhulaiya, a three-dimensional labyrinth with passages interconnecting with each other through 489 identical doorways…

Join the photographer at www.facebook.com/laurent.goldstein.photography