Surfaces, Lines and Values

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“This recognition, in real life, of a rhythm of surfaces, lines, and values is for me the essence of photography; composition should be a constant of preoccupation, being a simultaneous coalition – an organic coordination of visual elements. “
(Henri Cartier-Bresson – French photographe, 1908–2004)

This is the entrance of the Bara Imambara (also called the Asafi Imambara) complex in Lucknow, the mythical city of Nawabs.
It was shot from a window in the corridor which is on the level of the ceiling of the domed chamber leading to the Bhulbhulaiya, a three-dimensional labyrinth with passages interconnecting with each other through 489 identical doorways…

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