From the Soul of Souls

 

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“What can I do, Muslims? I do not know myself.
I am neither Christian nor Jew, neither Magian nor Muslim,
I am not from east or west, not from land or sea,
not from the shafts of nature nor from the spheres of the firmament,
not of the earth, not of water, not of air, not of fire.
I am not from the highest heaven, not from this world,
not from existence, not from being.
I am not from India, not from China, not from Bulgar, not from Saqsin,
not from the realm of the two Iraqs, not from the land of Khurasan.
I am not from the world, not from beyond,
not from heaven and not from hell.
I am not from Adam, not from Eve, not from paradise and not from Ridwan.
My place is placeless, my trace is traceless,
no body, no soul, I am from the soul of souls.
I have chased out duality, lived the two worlds as one.
One I seek, one I know, one I see, one I call.
He is the first, he is the last, he is the outer, he is the inner.
Beyond He and He is I know no other.
I am drunk from the cup of love, the two worlds have escaped me.
I have no concern but carouse and rapture.
If one day in my life I spend a moment without you
from that hour and that time I would repent my life.
If one day I am given a moment in solitude with you
I will trample the two worlds underfoot and dance forever.
O Sun of Tabriz, I am so tipsy here in this world,
I have no tale to tell but tipsiness and rapture.”
(Jalal ad-Dīn Muhammad Rumi – Persian poet, jurist, theologian, and Sufi mystic, 1207–1273)

This was shot before sunset at the tomb of Mohammad Ghaus in Gwalior in the central Indian state of Madhya Pradesh.
The light and shadows were playing through the jalis (latticed screen) in the galleries surrounding the Sufi saint mazaar (tomb).
The building, built in the late 16th century in the typical Mughal style, is enclosed on all sides by delicately carved lattices over which rises a large dome.
This place is a pilgrimage centre for both the Hindus and the Muslims and make this place of devotion is a symbol of brotherhood as this is where anyone can express his faith.

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The Year of the Water Snake

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“Appreciate and rejoice, without any expectation.
It doesn’t matter if people are unkind to you, it doesn’t matter if people betray you, it doesn’t matter if people don’t even say ‘thank you’ to you; by appreciating everything around you, from happy experiences to sad, your life will become meaningful, full of understanding, joy, strength and fearlessness.”
(Jigme Pema Wangchen, The Twelfth Gyalwang Drukpa, B.1963)

This is a view from Stok palace, the current residence of the royal family of Ladakh with an amazing Hiamalyan landscape which is a poetry of nature following the Indus river through stony hills.
This picture is an opportunity to wish everyone and especially my Tibetan and Ladakhi friends Tashi Delek, Happy Losar & Happy New Year on the occasion of the upcoming Female Water Snake Year 2140…

(Tashi means auspicious and Delek means fine or well and it could be translated by “Blessings and good luck” or “May all auspicious signs come to this environment”.
The phrase is also used in Nepal, Bhutan and Sikkim.
Losar is the Tibetan word for “new year” which is the most important holiday in Tibet and Bhutan, it is a three-day festival that mixes sacred and secular practices (prayers, ceremonies, hanging prayer flags, sacred and folk dancing, partying).
It occurs near or on the same day as the Chinese New Year and the Mongolian New Year, but the traditions of Losar are unique to Tibet andpredates Buddhism or Indian and Chinese influences).

This year the Tibetan government in Exile has appealed to Tibetans to pray instead of party at Losar, in solidarity with Tibetans who have self-immolated. http://bit.ly/YPiCEE

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Prayer With Incense

 

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“Let my prayer be set forth before thee as incense; and the lifting up of my hands as the evening sacrifice.”
(The Holy Bible – Psalms 141:2)

This picture was shot at Dasaswamedh ghat along the Ganges in Varanasi (Benaras) during the Ganga Aarti which is performed every evening by students from the Sanskrit University trained to become Hindu priests.

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A Song, A Dream, A Whisper

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“You are the answer to every prayer I’ve offered.
You are a song, a dream, a whisper, and I don’t know how I could have lived without you for as long as I have.”
(From “The Notebook” by Nicholas Sparks)

Early in the morning this lady lit up a diya (candle) at Dasaswamedh ghat and let the holy waters of the Ganges carry away her prayer as if it was a song, a dream, a whisper…

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An Auspicious Day

 

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“Engage yourself in all that is auspicious.”
(From the Sama Veda, the third of the four Vedas / sāman “melody” + veda “knowledge”)

One early morning those ladies came from far away to worship in the holy waters of the Ganges in Varanasi (Benaras).
It was a Monday, Lord Shiva’s day and as Shiva is the God of the city it was an auspicious day for them.
After taking a deep in the river, they washed and stretched many clothes along the ghats.
By the amount of items drying under the sun, it was clear that those pilgrims had a long journey.

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Pursuit of Happiness Photography

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“I have never taken a picture for any other reason than that at that moment it made me happy to do so.”
(Jacques Henri Lartigue – French photographer and painter, 1894–1986)

One early morning those ladies came from far away to worship in the holy waters of the Ganges in Varanasi (Benaras).
It was a Monday, Lord Shiva’s day and as Shiva is the God of the city it was an auspicious day for them.
After taking a deep in the river, they washed and stretched many clothes along the ghats.
By the amount of items drying under the sun, it was clear that those pilgrims had a long journey.

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A Choice

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“Colours have a beauty of their own which must be preserved, as one strives to preserve tonal quality in music. It is a question of organization and construction which is sensitive to maintaining this beautiful freshness of colour…
Colour is never a question of quantity, but of choice.”
(From Matisse’s essay “The Role and Modalities of Colour”, 1945)

At sunrise this lady was drying a few sarees after washing them in the holy waters of the Ganges in Varanasi (Benaras).
She was a pilgrim coming from the other part of the country, she was probably staying in one of the ashrams nearby.
Watching her doing her laundry and spreading those bright colours which was a happy moment as it was bringing life to Panchganga Ghat.

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The Bank of Karma

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“The paths to liberation are numerous, but the bank along the way is always the same, the Bank of Karma, where the liberation account of each of us is credited or debited depending on our actions.”
(From “Life of Pi” by Yann Martel)

After taking a bath in the holy waters of the Ganges, this young man was drying under the winter rising sun.
It was in front of the little akhara which stands at Panda ghat in Varanasi (Benaras) where he came to exercise before sunrise.

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The Road Toward Freedom

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“I am interested in anything about revolt, disorder, chaos-especially activity that seems to have no meaning.
It seems to me to be the road toward freedom…
Rather than starting inside, I start outside and reach the mental through the physical.”
(Jim Morrison – American singer & poet, 1943-1971)

This man was bathing before sunset in the holy waters of the Ganges at Shivala ghat in Varanasi (Benaras).
He smiled and laughed at my joke regarding his untied langot…

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A Minute Part Of Reality

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“The photograph itself doesn’t interest me.
I want only to capture a minute part of reality.”
(Henri Cartier-Bresson – French photographer, 1908–2004)

This is a view of Mansrowar Ghat in Varanasi (Benaras) shot from “The Lotus Lounge” where I enjoy to have breakfast after sunrise whenever I come along the Ganges early in the morning…

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